BEA 2012 (Day 1): The Relationship of Speculative Fiction to Mainstream
NOTE: This is a brief write-up of Tuesday, June 5th, the first full day of BEA. You can find my write-up of the pre-BEA Book Bloggers Conference here, and I’ll do a write-up of the second day (Wednesday) tomorrow.
Overall Impressions of BEA 2012 and its Relationship to Speculative Fiction
Last year, speculative fiction was omnipresent at BEA, though subsumed by other genres (see my write-up here). This year, I got the impression that outside of YA, that trend has slowed. Yet that is not all bad: YA strikes me as the most vibrant category here at BEA, and it seems like half of the YA titles at BEA are speculative to some degree (take that, folks who claim YA has no SF!). But outside of YA, adult fiction publishers seem to be focusing on more mainstream titles.
Even the large houses (almost all of which have SF/F imprints) seem to be soft-selling their speculative lines at BEA year, with fewer signings and fewer galley giveaways than I’ve seen in the past. Of course, there are plenty of genre publisher parties and the like, but the official / formal presence at the expo is muted. I’m sure there are many solid economic reasons for this, and I’m also sure that it was carefully discussed and considered by the various publishers. Since I’m not privy to those discussions, I’m curious as to what they might be, and why adult speculative fiction is becoming increasingly sidelined at BEA.
The Tor Panel: Was It Preaching to the Choir?
The highlight of Tuesday’s speculative fiction programming, at least for me, was the panel of Tor authors who spoke to genre’s crossing into the mainstream. The panel featured Walter Mosley, Ann and Jeff VanderMeer, and John Scalzi and was moderated by Ryan Britt (of Tor.com). The discussion was definitely interesting, and as erudite and thoughtful as anything we could have heard from mainstream authors.
One statement from early in the panel struck me as particularly interesting: Walter Mosely said that “For a hundred and fifty years [weird] fiction has been preparing us for the world [we live in],” which the panelists suggested is why speculative fiction is and will remain relevant for readers and our culture. I cannot agree more.
Yet despite the panelist’s erudition and intelligence, I walked away with a worrying impression: looking around the audience, I saw many faces I recognized from the SF/F community. That’s not a bad thing, of course, since I love that community. But were the panelists preaching to the choir? I fear that in some ways, much of the rhetoric about speculative fiction’s relationship to mainstream fiction is isolated within the confines of the genre. Are we just marinating in our own sauces? Or are we in fact engaging and educating booksellers, librarians, and consumers outside of our existing fanbase?
As I walk the aisles of BEA, the relative invisibility of speculative fiction makes me worry that we have been isolated in our ghetto for so long that we have become acclimated to its confines. Our narrative devices have escaped to live free and exciting lives across all genres. But as a component of the broader publishing industry, perhaps the creators, editors, salespeople, and booksellers who created and popularized those narrative devices in the first place should break out themselves.
Audiences love speculative fiction, which means booksellers and librarians should, too. Speculative fiction is all about powerful stories, and the genre itself has one. So why do we tell it so quietly?