My Loncon 3 Schedule

Two weeks from today – August 14 – will mark the start of Loncon 3: The 72nd Annual World Science Fiction Convention (which, since that’s a mouthful, is more commonly known as either Loncon 3 or Worldcon). This Worldcon is particularly exciting for me for three simple reasons:
My First Ever Worldcon!
It’s hard to be engaged with the science fiction and fantasy genres and not hear about Worldcon. It’s a storied event, not least because of its awarding the Hugo Awards. While I’m relatively new to con-going fandom, this will be my first time attending a Worldcon and given everything I’ve heard – I’m looking forward to it!
Reflected Hugo Gloss
This is also the first Worldcon where a project I’m (somewhat) involved with is up for a Hugo Award. Speculative Fiction 2012: The Best Online Reviews, Essays and Commentary
is nominated for Best Related Work. Jared Shurin (of Pornokitsch) and Justin Landon (of Staffer’s Book Review) deserve all the credit for editing this excellent collection of thought-provoking commentary about the genre, the field, and fandom. I’m honored to have my work sharing a TOC with the other authors, and I’m looking forward to cheering Jared and Justin on at the Hugo ceremony (though, to be fair, I’m likely to be cheering all of the nominees in Best Related Work: It’s a really tough slate this year, even if I do have my favorite).
If you’re a member of Loncon 3, don’t forget: Today (Thursday, July 31) is your last day to vote for the Hugo Awards. Regardless of which works you vote for, please do your part: The Hugos are only meaningful because of our engagement with them.
Loncon 3 Programming
And last but certainly not least, there’s programming. I’m slated to be on the following panels at Loncon 3, and I hope to see you there:
Friday, 16:30 – 18:00, Capital Suite 3 (ExCeL) | The Role of Fandom in Contemporary Culture Fandom influences culture. Fan activism appeared in Thailand with the Hunger Games salute while the Harry Potter Alliance organise fair trade chocolate and gay marriage campaigns. Films and television shows change because of fans, thereby indirectly influencing non-fannish audiences. “Published fanfiction” is becoming ever more lucrative a business. Meanwhile, fan materials are widely used as educational tools, including at museums (fan vids were part of an exhibition at the New York Museum of Moving Image), but also at schools and universities. Internal changes within fandom also impact upon contemporary culture, such as the impact of fanfiction on the culture of reading or fan communities as modes of challenging conservative social and political viewpoints. In this session we try to unravel the role of fandom in contemporary culture, work out its impact in different parts of the public and private sphere and predict where we might be heading in the future. |
|
Sunday, 19:00 – 20:00, Capital Suite 13 (ExCeL) | Fandom at the Speed of Thought The story of fandom and the SF field in the twenty-first century is the story of the internet: more voices, fewer gatekeepers. How are authors, reviewers, editors and readers navigating this shifting terrain? In what ways has the movement of SF culture online affected the way books are written, presented, and received — and how has it affected the way readers identify and engage with authors and books? Do the old truisms — never respond to a review! — still hold sway, or are author-reader shared spaces possible, even desireable? |
|
Monday, 11:00 – 12:00, Capital Suite 16 (ExCeL) | The Internet and the Evolution of Fan Communities Fanzines, fan clubs, conventions and local fan groups drove fan communities from their beginnings, with contact being made via post or sporadically in person by those who were not fortunate enough to live near fellow fans. While the decades between the beginnings of SF/F fandom and the emergence of the internet saw new technologies helping fandoms evolve and adapt, little has acted as a catalyst for change as much as the internet. With the development of the internet fans were able to create and join communities anywhere. The diverse nature of these online spaces, with their varying longevity (in terms of existence and how they archived their material), access requirements, and moderating practices has been instrumental in diversifying, strengthening and fracturing communities. In this session we discuss the impact of the internet fan communities including how it functions within different sorts of fandoms. |
|
Woohoo – look forward to seeing you there!