REVIEW: Ride the Moon ed. M.L.D. Curelas
|Title:||Ride the Moon|
|Pub Date:||February 29th, 2012|
|Chris’ Rating (5 possible):|
|An Attempt at Categorization||If You Like… / You Might Like…|
When I think about the anthologies I have read, I tend to break them out into three different types: exploring a particular style (e.g. Supernatural Noir ed. Ellen Datlow, reviewed here), showcasing a particular sub-genre (e.g. Steampunk ed. Ann and Jeff VanderMeer), or plumbing the depths of a specific theme (e.g. Paper Cities ed. Ekaterina Sedia). Through painstaking editorial curation, anthologists consolidate different voices and stories into a meaningful, unified whole. They can become more than the sum of their parts, and at the same time are packed full of fun, entertaining stories. And while I found that Tyche Books moon-themed debut anthology Ride the Moon didn’t culminate in a deeper insight into human nature, the collection of fantasy and science fiction stories was well-selected, well-organized, and definitely a fun read.
Thematic anthologies like Ride the Moon are, in my opinion, the hardest type of anthology to pull off. A stylistic exploration requires attention to style and tone, a sub-genre survey requires breadth and depth within that sub-genre, but a good thematic anthology necessitates building a TOC of excellent stories that are linked on a superficial level (the ostensible theme) and whose underlying truths are simultaneously unified in some fashion. The best example of this kind of anthology in recent times that I can think of is Ekaterina Sedia’s Paper Cities, which (despite the weaknesses of some individual stories) still managed to offer insight into how cities are employed in modern fantasy.
Ride the Moon is the debut book published by a new Canadian small press, Tyche Books. As their launch title, it is impressive. If I hold it to a high standard, it’s because on most measures I believe it comes pretty damn close to meeting it. Most of the stories are original to the anthology, though the occasional reprint (Edward Willet’s “Je Me Souviens” I recognized) is well worth inclusion. Most of the authors are Canadian, and I strongly recommend readers who might not be familiar with SF/F north of the border to check them out. While I recognized some of the authors (notably Claude Lalumière, Edward Willet, and Marie Bilodeau), most were brand new to me.
As the title suggests, every story in this anthology somehow touches on or deals with the moon as metaphor, god(dess), monster, or setting. With its lunar theme, the anthology skews somewhat fantastical: of the eighteen stories, only six are clearly science fiction. However, the remaining twelve fantasy stories tend to blend nicely between the explicit dark fantasy of Lori Strongin’s “A Moonrise in Seven Hours” to the more science fictional fantasy of Ada Hoffman’s “Moon Laws, Moon Dreams”.
About half of the stories – most notably C.A. Lang’s “Tidal Tantrums”, Shereen Vedam’s “Aloha Moon”, Keven Cockle’s “The Dowser” and Amy Laurens’ “Cherry Blossoms” – wrestle with the relationships of myth and magic in a modern, technological society. And while it might be tempting to say that therein lies the anthology’s unifying truth, I’m afraid that theory doesn’t hold up when faced with the anthology’s other stories.
The stories that I enjoyed most invariably did something fresh with both the lunar theme and their storytelling. Isabella Drzemczewska Hodson’s “Husks” is a beautifully written dark fantasy. The prose is lyrical and flowing, and Hodson’s imagery just draws you in. Her use of omniscience in the storytelling works to great effect: despite the omniscient narrator, I found myself embedded in the characters and their experiences. A. Merc Rustad’s “With the Sun and Moon in His Eyes” employs excellent characterization with tight prose. Both the subject matter and story structure reminded me of N.K. Jemisin’s Inheritance Trilogy, and appealed to me in many of the same ways. Shereen Vedam’s “Aloha Moon” and Ada Hoffman’s “Moon Laws, Moon Dreams” both do a great job of drawing the reader into their characters, though I found the plot resolution of “Aloha Moon” a little too convenient. The biggest stand-out for me, however, had to be Edward Willet’s “Je Me Souviens”: a quiet, emotional, and intensely powerful story about mourning, loyalty, remembrance, and faith.
Some of the other stories, notably Krista D. Ball’s “On the Labrador Shore, She Waits”, Tony Noland’s “Sunset at the Sea of Fertility”, and Lori Strongin’s “A Moonrise in Seven Hours” didn’t work for me. In most cases this was because I found their characters and plot structures fairly predictable. They were well executed for what they were…I just found that they didn’t appeal to me, and were otherwise unmemorable and unremarkable.
In sum, I would say that Ride the Moon is an entertaining, well-written, and well-structured anthology. Despite their significant differences, the stories flow into each other nicely. I enjoyed reading it and – perhaps most importantly – it has turned me onto a number of authors who I might not otherwise have encountered. This is an anthology well worth picking up if only for those two traits. And as a debut from Tyche Books, it makes Tyche a small press that I’m going to be paying attention to going forward.